You know that feeling you have been having lately? The one that tells you that something is missing, but you don’t know what that something is? It’s this book. Grab a copy and read it right now, and you will feel better. I am in love with this book.
The book is fiction, and not a medical or psychological text, despite what you might first think about when you read the title. It is about Wayne Fencer, a guy who is about to attend a funeral for his ex girlfriend. She committed suicide. Wayne learns later that his ex girlfriend had an abortion, and that the baby was his. He never knew. This sends Wayne into a search, trying to put together what this all means. What is the meaning of life? Wayne goes wandering to try and figure this all out. He goes to some interesting places, including Cuba, and The Burning Man Festival. The book is deep, and also funny in parts, and wonderfully written in a style that is unique to Listi. I think most people go through some point in their lives where they, like Wayne, are wondering just what the meaning of it all is. I found it comforting to read that I was not the only one who felt lost.
Brad Listi was kind enough to let me interview him. I am impressed by how accessible Listi is to his readers. Few authors take the time to respond to and communicate with their fans, and if they do, it’s sometimes in a form letter, or some kind of mass e-mailing. Listi makes direct communication into a fine art.
Below are my questions and his answers to them:
JEN THORPE: Your book is not called “Attention Deficit Disorder”,(referring to the actual psychatric term), but “Attention. Deficit. Disorder.” (which refers to something else entirely.) I bet you get a lot of people who think your book describes how to cope if you have Attention Deficit Disorder, or is about a main character who has Attention Deficit Disorder, or that maybe you are a writer who suffers from Attention Deficit Disorder. But, it’s not about that at all. What were you really getting at when you chose that title?
BRAD LISTI:The title of the novel is meant to be considered word by word. Each word has direct thematic relevance to what happens in the narrative. This is not a book about attention deficit disorder in the literal, medical sense; it’s about attention deficit disorder in a more abstract and euphemistic sense. It’s about the ways in which so many of us often feel as though we have A.D.D., even though we really don’t.
The title, and the periods in particular, refer to the way that “A.D.D.” has become a sort of catchphrase in our culture, a shorthand method of describing how we relate to our overloaded, hyper-mediated environment. And it’s about the irony inherent in how difficult it can often be to try to find meaning in the so-called “Age of Information.”
JEN: I know that this book is fiction, however, as I was reading I found myself wondering how much of it was something that actually happened. How much of this book, if any at all, is autobiographical? Did a particular event happen? Are any of the characters based on real people?
BRAD: The book is based on my life. Places I’ve been. People that I know, or have known. But ultimately it’s fiction. Everything is reconstituted. Everything is made up. The facts are always bent to fit the fiction, and not the other way around.
I lost a friend to suicide when I was in college. It’s reasonable to say that this was the point of genesis for the novel, and certainly it was a guiding parallel that I used when I was navigating the story’s emotional terrain. But again, what I’ve written here is a novel, and not a memoir. I made it up.
The characters in the book are usually amalgams of different people in my life, or exaggerations of people I’ve met before. And sometimes I just conjure them.
A couple of the characters are pretty one-for-one in my basic depiction of their appearance and so on, but the things that they do and the places that they go are pure fiction.
Ultimately, my feeling is that all fiction is autobiographical. Even fantasy fiction has its origins in an individual’s consciousness and is an “autobiographical” expression. In the end, it’s a matter of degrees. And layers. And willful obfuscation.
JT: What music, if any, did you listen to while writing this book?
BL:I listened to a lot of the Mantovani Orchestra. And I listened to Percy Faith. And I listened to ballad compilations by guys like Miles Davis and Stan Getz and Sonny Rollins. And I listened to a lot of the Flaming Lips.
From a tonal perspective, this kind of music really helped me out. It deals with heavy themes in a very honest way. But at the same time, the music somehow manages to leave you feeling buoyant at the end, despite the underlying gravity at the heart of the songs. It does that for me, anyway.
And this, in the end, was the trick that I was trying to pull with Attention. Deficit. Disorder. I wanted the book to walk the line between dark and light, the heavy and the funny. And this kind of writing often ends up being something of a tightrope act. If you venture too far to one side or the other, you can get yourself into trouble, and you can wind up leaving your readers in the breach. You go too far in the direction of darkness, and the book becomes an intolerable bummer. Head too far in the other direction, and you venture into the realm of slapstick, and you undermine the genuine pathos and humanity at the heart of Wayne Fencer’s journey. So you have to watch your step. Listening to music that does a good job of executing this kind of balancing act was a big help, and a big inspiration. It was instructive.
JT: If I ever go check out the Burning Man Festival, what are the best things to bring with me?
BL:Food, shelter, water, condoms, sunscreen, chapstick, sunglasses, laser guns, bullwhips, and a bike.
JT: Did you always just know that you wanted to be a writer, or did something specific occur to inspire you to become one?
BL: I always gravitated to writing, even as a very small boy. It’s something that I had a natural inclination for, but I didn’t really get serious about writing fiction until I was a senior in college, when I was twenty years old.
JT: I read your A. D. D. blog every day, and it’s always a treat. What would you like to tell my readers (few that they are), about your A. D. D. blog and the people who fill it with comments? What made you decide to start a blog on myspace? Is the response what you expected it would be?
BL: I’d like to start by thanking everybody who reads The A.D.D. Blog on a daily basis. I really appreciate the fact that so many people have found it and enjoy it and participate by weighing in on the comment boards, and so on. It’s been one of the most pleasant surprises of my recent existence.
I started the blog about a year and a half ago on the advice of my agent. She called me up one day in the summer of 2005 and suggested that I open an account. The site was relatively new to her, and it was completely new to me. And since then, the thing has absolutely exploded. I don’t think anyone could have predicted the cultural significance of Myspace in the present day. The thing is a beast. It’s an absolute phenomenon.
JT: What is the strangest thing that has happened to you while you were promoting this book?
BL: Oh God. That’s a tough one. So many strange things have happened. I’ve gotten a lot of weird letters. People telling me about their sex lives. Their checkered pasts. Their odd, sadomasochistic fantasies. The insane visions they had after eating three huge hits of blotter acid while naked in the desert. That kind of thing.
I’m sure there’s more, but my brain is kind of soft right now.
JT: I see that The Nervous Breakdown has it’s own myspace page now. What’s that all about?
Just trying to get the word out about thenervousbreakdown.com and the wonderful writers who contribute to the site. Myspace is a great place to do that kind of thing. We’ve got a good thing going on over there. It’s been a lot of fun.
JT: Just what are you going to do with all the letters you received as part of your Letter Writing Experiment now that the experiment has ended?
BL: Right now they’re sitting in my office, in a big plastic bag. I have no idea what I’m going to do with them. Probably just save them. I’m a packrat that way. And I think I might be kind of sentimental.
JT: What’s next? A book about what happens next for Wayne? A book about something completely different? More interesting experiments? A “Dear Listi” column?
BL: The next book is called City of Champions. Another novel. A kind of prequel to Attention. Deficit. Disorder., featuring a younger and more immature and more embittered Wayne Fencer. City of Champions is a broader comedy, a social satire about Middle American Values. And it’s a book about the concept of adolescence, and not just adolescence in a chronological sense. It’s about adolescence at any age. And it’s about the American Dream.
Thank you, again, to Brad Listi for taking time out to do this little interview for Bookwyrm U.S.
If you want to check out the A.D.D. blog for yourself, click here:
The A.D.D. blog
To read the NervousBreakdown.com click here:
NervousBreakdown.com